Wish for an Overcoat by Alfred Islay Walden

Oh! had I now an overcoat,
   For I am nearly freezing;
My head and lungs are stopped with cold,
   And often I am sneezing.


And, too, while passing through the street,
   Where merchants all are greeting,
They say, young man this is the coat
   That you should wear to meeting.


Then, looking down upon my feet,
   For there my boots are bursting,
With upturned heels and grinning toes,
   With tacks which long were rusting.


Ah! how they view my doeskin pants
   With long and crooked stitches,
They say, young man would you not like
   To have some other breeches?


My head is also hatless too,
   The wind is swiftly blowing,
They say, young man will you not freeze?
   See ye not how it’s snowing?


And now they take me by the hand,
   And lead me toward the store,
And some are pulling down the coats
   Before I reach the door.


So walk I in, their goods to price,
   To quench a thirst that’s burning,
And freely would I buy a coat,
   But nothing I am earning.


They say to me, I should have known,
   That winter time was coming,
When I was roaming through the park,
   With birds around me humming.


Their logic’s true, I must confess,
   And all they say is pleasant;
But did I know that I would have
   No overcoat at present?


To satisfy these craving Jews,
   To buy I am not able,
For it is more than I can do
   To meet my wants at table.


Therefore my skin will toughly grow,
   Will grant to me this favor,
That I may learn to stand as much
   As little Jack, the sailor.


And if I live till winter’s passed,
   Though nature’s harps unstringing,
I then will fly to yon woodland
   To hear the oak trees singing.


Then I will not on hero’s fame,
   Ride swiftly on to victory,
Although my saddle may be made
   Of cotton sacks or hickory.


But if I die, farewell to all,
   Oh! who will tell the story,
That I have lived a noble life.
   And now gone home to glory?


Yes, who will chant a song of praise
   For me—who will be weeping—
When I have yielded to the grave,
   And ’mid the dead am sleeping?


But some will ask, “how did he die?
   It was without my knowing;
Was it because he caught a cold,
   Last year when it was snowing?”


The answer now comes hurling back,
   In words I cannot utter,
It was not by a cold alone,
   But partly bread and butter.



Source: African-American Poetry of the Nineteenth Century (University of Illinois Press, 1992)


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The Windhover by Gerard Manley Hopkins

I caught this morning morning’s minion, king-
    dom of daylight’s dauphin, dapple-dawn-drawn Falcon, in his riding
    Of the rolling level underneath him steady air, and striding
High there, how he rung upon the rein of a wimpling wing
In his ecstasy! then off, off forth on swing,
    As a skate’s heel sweeps smooth on a bow-bend: the hurl and gliding
    Rebuffed the big wind. My heart in hiding
Stirred for a bird, – the achieve of, the mastery of the thing!


Brute beauty and valour and act, oh, air, pride, plume, here
    Buckle! AND the fire that breaks from thee then, a billion
Times told lovelier, more dangerous, O my chevalier!
     
   No wonder of it: shéer plód makes plough down sillion
Shine, and blue-bleak embers, ah my dear,
    Fall, gall themselves, and gash gold-vermilion.



Source: Gerard Manley Hopkins: Poems and Prose (Penguin Classics, 1985)


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“Blow, Blow, Thou Winter Wind” by William Shakespeare

Blow, blow, thou winter wind,
   Thou art not so unkind
      As man’s ingratitude;
   Thy tooth is not so keen,
Because thou art not seen,
      Although thy breath be rude.
Heigh-ho! sing, heigh-ho! unto the green holly:
Most friendship is feigning, most loving mere folly:
   Then, heigh-ho, the holly!
      This life is most jolly.


   Freeze, freeze, thou bitter sky,
   That dost not bite so nigh
      As benefits forgot:
   Though thou the waters warp,
      Thy sting is not so sharp
      As friend remembered not.
Heigh-ho! sing, heigh-ho! unto the green holly…




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Tar Babies by Kay Ryan

Tar babies are
not the children
of tar people.
It is far worse.
The tar baby occurs
spontaneously
nor do we adhere
at first. There is
an especially
unperverse
attractiveness
to the tar baby—
although currently
she is a little sick.
When you start
to help her
is when she
starts to stick.



Source: Poetry (April 2005).


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Holding On by Richard O. Moore

1.
 
How account
for dimming
of the lights
 
baggage
of old age
tagged and waiting?
 
or light tricks
in snow
at sun-up?
 
waiting in line
 
waiting in line
 
come sundown
watching the horizon
eyes glowing.
 
 


2.
 
Who
 
not the
other myself
my prisoner
 
night flesh
ear-skewered
 
music
in natural
air
 
screams   well-deep
seep to the brain-root
 
days
Treblinka nights
 
guilt
guts the ferrer
in my cage
 
sanity puddles the floor.
 
 


3.
 
In memory sickness
 
eyes unlace
 
open
as last night’s boots
 
a glacier of light
saps the air
 
remember
 
the torturer’s
tinnitus
starts the day.
 
 


4.
 
The   irrationality
of it
 
mob noise
 
angels struck
from the block
of darkness
 
a sunlit sky breaks
through in shrapnel
 
hard screaming night
 
feather touch
 
troops improvising
for the kill
 
panic
 
my enemy
 
my nail-hold.
 
 


5.
 
Of the texture
of elbows shattered
and stairwell falls
 
hallucinations
of confession
 
rush to stop pain.
 
 


6.
 
Andean snow-stats
blind me
 
the flashlight
of the Burglar
of Death flares
 
and holds
on my eyes.
 
 


7.
 
In the Feast Halls
 
ghosts linger
 
feeding
 
avoiding
 
dogs
 
and the memory
 
of cracked bones.
 
 


8.
 
Present danger
 
colors hiss
from a blue masque
 
bone-bonded
 
Autumn in no
year’s season
 
a nerve twitches
across the path.
 
 
 
9.
 
Planets by lamplight
 
steet laughter
embraced in being
 
parallel lines
collapse curbside
 
cornices fall
 
from a stranger’s dream
moon-sand ears
 
the inhabitants
lean in to heat.



Richard O. Moore, “Holding On” from Writing the Silences. Copyright © 2010 by Richard O. Moore. Reprinted by permission of University of California Press.

Source: Writing the Silences (University of California Press, 2010)


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Boy Breaking Glass by Gwendolyn Brooks

Whose broken window is a cry of art   
(success, that winks aware
as elegance, as a treasonable faith)
is raw: is sonic: is old-eyed première.
Our beautiful flaw and terrible ornament.   
Our barbarous and metal little man.


“I shall create! If not a note, a hole.   
If not an overture, a desecration.”


Full of pepper and light
and Salt and night and cargoes.


“Don’t go down the plank
if you see there’s no extension.   
Each to his grief, each to
his loneliness and fidgety revenge.
Nobody knew where I was and now I am no longer there.”


The only sanity is a cup of tea.   
The music is in minors.


Each one other
is having different weather.


“It was you, it was you who threw away my name!   
And this is everything I have for me.”


Who has not Congress, lobster, love, luau,   
the Regency Room, the Statue of Liberty,   
runs. A sloppy amalgamation.
A mistake.
A cliff.
A hymn, a snare, and an exceeding sun.



Gwendolyn Brooks, “Boy Breaking Glass,” from Blacks (Chicago: Third World Press, 1987). Reprinted by consent of Brooks Permissions.

Source: Blacks (1987)


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One Hundred Love Sonnets: XVII by Pablo Neruda

I don’t love you as if you were a rose of salt, topaz,   
or arrow of carnations that propagate fire:   
I love you as one loves certain obscure things,   
secretly, between the shadow and the soul.


I love you as the plant that doesn’t bloom but carries   
the light of those flowers, hidden, within itself,   
and thanks to your love the tight aroma that arose   
from the earth lives dimly in my body.


I love you without knowing how, or when, or from where,   
I love you directly without problems or pride:
I love you like this because I don’t know any other way to love,
except in this form in which I am not nor are you,   
so close that your hand upon my chest is mine,   
so close that your eyes close with my dreams.



Pablo Neruda, “One Hundred Love Sonnets: XVII” from The Essential Neruda: Selected Poems, edited by Mark Eisner. Copyright © 2004 City Lights Books.

Source: The Essential Neruda: Selected Poems (City Lights Books, 2004)


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Frost at Midnight by Samuel Taylor Coleridge

The Frost performs its secret ministry,
Unhelped by any wind. The owlet’s cry
Came loud—and hark, again! loud as before.
The inmates of my cottage, all at rest,
Have left me to that solitude, which suits
Abstruser musings: save that at my side
My cradled infant slumbers peacefully.
‘Tis calm indeed! so calm, that it disturbs
And vexes meditation with its strange
And extreme silentness. Sea, hill, and wood,
This populous village! Sea, and hill, and wood,
With all the numberless goings-on of life,
Inaudible as dreams! the thin blue flame
Lies on my low-burnt fire, and quivers not;
Only that film, which fluttered on the grate,


Still flutters there, the sole unquiet thing.
Methinks, its motion in this hush of nature
Gives it dim sympathies with me who live,
Making it a companionable form,
Whose puny flaps and freaks the idling Spirit
By its own moods interprets, every where
Echo or mirror seeking of itself,
And makes a toy of Thought.


                      But O! how oft,
How oft, at school, with most believing mind,
Presageful, have I gazed upon the bars,
To watch that fluttering stranger ! and as oft
With unclosed lids, already had I dreamt
Of my sweet birth-place, and the old church-tower,
Whose bells, the poor man’s only music, rang
From morn to evening, all the hot Fair-day,
So sweetly, that they stirred and haunted me
With a wild pleasure, falling on mine ear
Most like articulate sounds of things to come!
So gazed I, till the soothing things, I dreamt,
Lulled me to sleep, and sleep prolonged my dreams!
And so I brooded all the following morn,
Awed by the stern preceptor’s face, mine eye
Fixed with mock study on my swimming book:
Save if the door half opened, and I snatched
A hasty glance, and still my heart leaped up,
For still I hoped to see the stranger’s face,
Townsman, or aunt, or sister more beloved,
My play-mate when we both were clothed alike!


         Dear Babe, that sleepest cradled by my side,
Whose gentle breathings, heard in this deep calm,
Fill up the intersperséd vacancies
And momentary pauses of the thought!
My babe so beautiful! it thrills my heart
With tender gladness, thus to look at thee,
And think that thou shalt learn far other lore,
And in far other scenes! For I was reared
In the great city, pent ‘mid cloisters dim,
And saw nought lovely but the sky and stars.
But thou, my babe! shalt wander like a breeze
By lakes and sandy shores, beneath the crags
Of ancient mountain, and beneath the clouds,
Which image in their bulk both lakes and shores
And mountain crags: so shalt thou see and hear
The lovely shapes and sounds intelligible
Of that eternal language, which thy God
Utters, who from eternity doth teach
Himself in all, and all things in himself.
Great universal Teacher! he shall mould
Thy spirit, and by giving make it ask.


         Therefore all seasons shall be sweet to thee,
Whether the summer clothe the general earth
With greenness, or the redbreast sit and sing
Betwixt the tufts of snow on the bare branch
Of mossy apple-tree, while the nigh thatch
Smokes in the sun-thaw; whether the eave-drops fall
Heard only in the trances of the blast,
Or if the secret ministry of frost
Shall hang them up in silent icicles,
Quietly shining to the quiet Moon.




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Persimmon by Caroline Caddy

Like buying a ticket inland
                         to barely understandable provinces
with no language at all I bargain and pay
                                                 for this warm planet
tipping the scales of wrist and elbow
spreading my fingers with its weight to read
                                       my life-line my heart-line
my seams and mounds of fortune.
I stare
into the sun on smoggy evenings
                                the throat of an old street oven
that seems to expand as I anticipate
                       its glow engulfing my solar system.
I open my mouth
                 and China fills it sliding into tartness
                                                        forcing my lips
to begin its name
over and over then finger-painting my chin
                                          with the gel of ripeness.
I swallow the pabulum of infancy
                                       the sweet mucilage of age. 
There seems to be no core
                          the few black seeds hardly noticed
in its one undifferentiated cell
other tongue
             that makes mine lazy    the flavour . . .
                                                      the flavour is . . .
my hand moves like an incantation
through an alley of blunt flames
                               that can be eaten with a spoon.
I gorge
on a people’s staple
                          fat Buddha squat Amida
                                                    repeat three times
persimmon persimmon persimmon
and go to heaven.



Caroline Caddy, “Persimmon” text from Esperance, Fremantle Press, 2007; audio from The Tibetan Cabinet, Audio CD River Road Press: 2010 by permission of River Road Press and the poet. Copyright © 2007, 2010 by Caroline Caddy.

Source: Esperance (Fremantle Press, 2007)


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At the Fishhouses by Elizabeth Bishop

Although it is a cold evening,
down by one of the fishhouses
an old man sits netting,
his net, in the gloaming almost invisible,
a dark purple-brown,
and his shuttle worn and polished.
The air smells so strong of codfish
it makes one’s nose run and one’s eyes water.
The five fishhouses have steeply peaked roofs
and narrow, cleated gangplanks slant up
to storerooms in the gables
for the wheelbarrows to be pushed up and down on.
All is silver: the heavy surface of the sea,
swelling slowly as if considering spilling over,
is opaque, but the silver of the benches,
the lobster pots, and masts, scattered
among the wild jagged rocks,
is of an apparent translucence
like the small old buildings with an emerald moss
growing on their shoreward walls.
The big fish tubs are completely lined
with layers of beautiful herring scales
and the wheelbarrows are similarly plastered
with creamy iridescent coats of mail,
with small iridescent flies crawling on them.
Up on the little slope behind the houses,
set in the sparse bright sprinkle of grass,
is an ancient wooden capstan,
cracked, with two long bleached handles
and some melancholy stains, like dried blood,
where the ironwork has rusted.
The old man accepts a Lucky Strike.
He was a friend of my grandfather.
We talk of the decline in the population
and of codfish and herring
while he waits for a herring boat to come in.
There are sequins on his vest and on his thumb.
He has scraped the scales, the principal beauty,
from unnumbered fish with that black old knife,
the blade of which is almost worn away.


Down at the water’s edge, at the place
where they haul up the boats, up the long ramp
descending into the water, thin silver
tree trunks are laid horizontally
across the gray stones, down and down
at intervals of four or five feet.


Cold dark deep and absolutely clear,
element bearable to no mortal,
to fish and to seals . . . One seal particularly
I have seen here evening after evening.
He was curious about me. He was interested in music;
like me a believer in total immersion,
so I used to sing him Baptist hymns.
I also sang “A Mighty Fortress Is Our God.”
He stood up in the water and regarded me
steadily, moving his head a little.
Then he would disappear, then suddenly emerge
almost in the same spot, with a sort of shrug
as if it were against his better judgment.
Cold dark deep and absolutely clear,
the clear gray icy water . . . Back, behind us,
the dignified tall firs begin.
Bluish, associating with their shadows,
a million Christmas trees stand
waiting for Christmas. The water seems suspended
above the rounded gray and blue-gray stones.
I have seen it over and over, the same sea, the same,
slightly, indifferently swinging above the stones,
icily free above the stones,
above the stones and then the world.
If you should dip your hand in,
your wrist would ache immediately,
your bones would begin to ache and your hand would burn
as if the water were a transmutation of fire
that feeds on stones and burns with a dark gray flame.
If you tasted it, it would first taste bitter,
then briny, then surely burn your tongue.
It is like what we imagine knowledge to be:
dark, salt, clear, moving, utterly free,
drawn from the cold hard mouth
of the world, derived from the rocky breasts
forever, flowing and drawn, and since
our knowledge is historical, flowing, and flown.



“At the Fishhouses” from The Complete Poems, 1927-1979 by Elizabeth Bishop. © 1979, 1983 by Alice Helen Methfessel. Used by permission of Farrar, Straus and Giroux, LLC. All rights reserved. www.fsgbooks.com

Source: The Complete Poems (Farrar Straus and Giroux, 1983)


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